"Music at the Limits" is the first book to bring together three decades of Edward W. Said's essays and articles on music. Addressing the work of a variety of composers, musicians, and performers, Said carefully draws out music's social, political, and cultural contexts and, as a classically trained pianist, provides rich and often surprising assessments of classical music and o...(展开全部)

From Publishers Weekly Though best known for his political writings (Orientalism), Said was also, from 1986 until his death in 2003, the music critic for the Nation, and this collection draws together reviews from that publication and other magazines. Said had very firm opinions and lashed out against New York City's classical music scene in the 1980s and early '90s for produci...(展开全部)

Noise, an underground music genre made through an amalgam of feedback, distortion, and electronic effects, first emerged in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational ...(展开全部)

Noise, an underground music genre made through an amalgam of feedback, distortion, and electronic effects, first emerged in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational ...(展开全部)

Noise, an underground music genre made through an amalgam of feedback, distortion, and electronic effects, first emerged in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational ...(展开全部)

“In a letter to his parents, George Plimpton once described The Paris Review interview as ‘an essay in dialogue on technique.’ As you will see from this volume, technique is always the main topic—how a writer begins to write, to think of herself as a writer; what struggles she meets; if and how she overcomes them. But thanks to the unusual method invented by Plimpton and the ot...(展开全部)

“In a letter to his parents, George Plimpton once described The Paris Review interview as ‘an essay in dialogue on technique.’ As you will see from this volume, technique is always the main topic—how a writer begins to write, to think of herself as a writer; what struggles she meets; if and how she overcomes them. But thanks to the unusual method invented by Plimpton and the ot...(展开全部)

The turbulent life of Vincent van Gogh continues to serve as a source of inspiration for many people. In this graphic novel, artist and writer Barbara Stok takes the reader on a journey to the brief and intense period of time that the painter spent in the south of France.

Arles, 1888. Vincent Van Gogh souhaite créer un atelier collectif dans le Midi, où les artistes pourraient peindre et vivre en commun. Mais des crises psychotiques le tourmentent, entre hallucinations terrifiantes et phases de création frénétique.

The turbulent life of Vincent van Gogh continues to serve as a source of inspiration for many people. In this graphic novel, artist and writer Barbara Stok takes the reader on a journey to the brief and intense period of time that the painter spent in the south of France.